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| |
NB_01 |
|
Niccolo Boldrini
(1510 - ?)
Samson and Delilah,
after Titian, c. 1545.
|
Woodcut
31 x 49 cm
Condition: good
n.a.
|
| Print also in FAMSF
collection, see Boldrini.
Prints of Boldrini, who was a pupil of Ugo da Carpi, are very
rare. Some of his works, other woodcuts after Titian, are shown
in the Uffizi galleries. |
|
|
MR_01 |
|
Marco Dente,
called Marco da Ravenna
(Ravenna 1493 - 1527 Rome)
Skeletons,
after B. Bandinelli,
´In Roma Presso Carlo Losi 1773´.
|
Engraving
28.5 x 43 cm
Condition: good
n.a.
|
| Bartsch XVII, also
in FAMSF collection, see Marco
da Ravenna. Printed on strong paper with clear
platemarks and ample margins, old colouring added, some foxing
in margins. |
|
|
GB_01 |
|
Giulio Bonasone
(c. 1500 - 1576)
Jupiter, Neptune, and Pluto Dividing the Universe,
after Giulio Romano.
|
Engraving
20 x 26.5 cm
Condition: good
n.a.
|
| Bartsch XXVIII (with
discussion why this print attributed to Bonasone and not to G.
B. Scultori), print of a series of four, showing ´the division
of the Universe, where the three sons of Saturn receive their
respective dominions´. Trimmed to borderline and mounted on strong
paper. |
|
|
JS_01 |
|
Jan
Sadeler
(Brussels 1550 - 1600 Venice)
Meridies,
after M. de Vos, signed in plate
´Joan Sadler sculp. et excud. M. de Vos figuravit´.
|
Engraving
15.5 x 25.2 cm
Condition: good
sold
|
| Collectors
mark ´Ex Bibl. Regis Berlin´ pasted over. One thin spot,
some brownish and dust stains, visible mainly on margins,
overall good impression. |
|
|
JS_02 |
|
Jan
Sadeler
(Brussels 1550 - 1600 Venice)
Septentrio,
after M. de Vos, signed in plate
´Joan Sadler sculp. et excud. M. de Vos figu.´
|
Engraving
15.5 x 25.5 cm
Condition: good
sold |
| Collectors
mark ´Ex Bibl. Regis Berlin´ in lower right corner. Short
wrinkle from (original) printing in lower left part,
on corners laid down on carton, some light brown spots and dust,
mainly visible on margins. |
|
|
JM_01 |
|
Jacob Matham
(Haarlem 1571 - 1631)
St. Hieronymus,
after J. Arpinas,
signed in plate.
|
Engraving
26.5 x 20.5 cm
Condition: very good
170 €
|
| Bartsch
IV, from Four Saints. Trimmed to borderline, on lower margin close
to signature, and backed with paper. |
|
|
|
|
| |
GR_01 |
|
Guido Reni
(Bologna 1575 - 1643)
The Holy Family with Scriptural Scene in the Background.
|
Etching
21.8 x 14.8 cm
Condition: good
n.a.
|
| Bartsch XL, first
state print, cut to platemark. |
|
|
AJS_01 |
|
Andreas
Jacobsz Stock
(1580 - 1648)
Portrait of Albrecht Dürer,
signed ´Stock sculpsit: F. de Wit excudit. 1629´.
|
Etching
22 x 16.6 cm
Condition: very good
150 €
|
| Print also in FAMSF
collection,
see Stock.
On antique laid paper, trimmed close to platemark, verso collectors
mark (v. FEDER). |
|
|
AW_01 |
|
Anthoine Waterloo
(Lille 1610 - 1690 Utrecht)
Large Linden Tree in front of an Inn,
´Anthonius Waterloo invenit et fecit´.
|
Etching
22.7 x 29.2 cm
Condition: very good
300 €
|
| Bartsch II:104,
signed lower left corner, numbered ´ 1´ (right corner), cut to
border line, short tear on left side. |
|
|
JF_01 |
|
Jeremias Falck
(1619 - 1677)
Young man with feather hat,
after J. Schmuzer.
|
Engraving
15.3 x 13.5 cm
Condition: excellent
n.a.
|
| Clear impression on
wove paper. |
|
|
JvO_01 |
|
Jan van
Ossenbeeck
(Vienna 1624 - 1667 Rotterdam)
Diana Avenging Herself on Niobe for the Death of Her Children,
after J. Palma.
|
Engraving
27 x 26.2 cm
Condition: very good
230 €
|
| Bartsch VII. Left
margin trimmed to borderline, other margins to platemark. An
expressive print.. |
|
|
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| |
GBP_01 |
|
Giovani Battista
Piranesi
(Venice 1720 - 1778 Rome)
1. Reliquiae Domus, 2. et Balnearum Sallustiniarum, 3. Pars
reliquiarum murorum veteris Urbis,
Tab. XLII
signed ´Piranesi F.´
|
Etching
27 x 36 cm
Condition: good
n.a.
|
| ´Vide indicem
ruinar num. 105.106.107.´ Printed on strong laid
paper with clear platemarks and wide margins, paper slightly
brownish. |
|
|
BR_01 |
|
Christian Bernhard Rode
(Berlin 1725 - 1797)
Der Hausvater des Weinbergs.
|
Etching
18.7 x 23.6 cm
Condition: very good
150 €
|
| (Engl.: The father
of the vineyard). Scene from the Bible (Mathew 20, 1-16):
...The first shall be last and the last shall be first. |
|
|
AR_01 |
|
Johann
Anton Riedel
(Falkenau 1733 - 1816 Dresden)
Portrait of Rembrandt,
after Rembrandt 1633
signed ´A. Riedel del et fc. 1794´.
|
Etching
15 x 11.5 cm
Condition: good
110 €
|
| On left side laid
down on carton. A very elaborately etched portrait of Rembrandt. |
|
|
GV_01 |
|
Giovanni Volapto
(c. 1740 - 1803)
Non genitum, non uxorem, non caetera curat, Sed numerans solas
curat auarus opes,
No. ´36´.
|
Engraving
25.2 x 30 cm
Condition: fair
90 €
|
| Text also in
Spanish: ´A Codifia del dinero, Contar, conservar, y aver Haze
que el avaro se olvide De su hijo y su mug´. Print of a
larger series with wide margins, esp. lower margins with water
stains, in lower right corner handwritten remark. Still an
impressive print. |
|
|
JWM_01 |
|
Jakob
Wilhelm Mechau
(Leipzig 1740 - 1808 Dresden)
Francesco fuori di Subiaco,
signed in plate ´Mechau fece Roma 1794´.
|
Etching
25 x 35.5 cm
Condition: very good
240 €
|
| Print from Mahlerisch
radirte Prospecte aus Italien, on strong paper, trimmed to
platemark. |
|
|
JWM_02 |
|
Jakob
Wilhelm Mechau
(1740 - 1808)
Ponte Molle,
signed in plate ´J. Mechau fece Roma 1792´.
|
Etching
28 x 37 cm
Condition: good
260 €
|
| Print on strong
paper, some old folding lines and some tiny holes, only visible
with backlighting, sheet with ample margins. |
|
|
JFJ_01 |
|
Jean
Francois Lagrenée (?)
(1725 - 1805)
|
Aquatint
21 x 46.5 cm
Condition: excellent
450 €
|
| Print on wove
paper. Six woman servants
in antique dresses serving a sitting woman. Handwritten
assignment on reverse to Janinet (Jean-Francois). |
|
|
LV_01 |
|
Jean
Charles Le Vasseur
(Abeville 1734 - 1816 Paris)
Le Frilleux,
after Teniers,
by Beauvarlet (Paris).
|
Engraving
26.7 x 18.7 cm
Condition: very good
70 €
|
| Text: ´Tant que
l´HIver des ans, on peut braver les Frimats et la Bise; Ne
glace point nos Sens, mes le peut-on quand on a barbe grise.´
Print on strong paper with wide margins. |
|
|
LV_02 |
|
Le Vasseur, Jean
Charles
Le Faucheur,
after Teniers,
by Beauvarlet (Paris).
|
Engraving
26.2 x 19.7 cm
Condition: very good
60 €
|
| Text: ´Faucher est
um metier bien rude, les reins surtout y travaillent d´autant,
C´est je le dis, dut en rougir la prude, Ce qui force cet homme
à cesser un instant.´ Print mounted on strong paper. |
|
|
LB_01 |
|
Philippe Le Bas
(1707- 1783)
Le Fumeur,
after Teniers
c. 1780.
|
Engraving
18.3 x 25.5 cm
Condition: very good
120 €
|
| ´A Paris chez J.
P. Le Bas Graveur du Cabinet du Roy rue de la Harpe.´ Print on
strong laid paper, wide margins. |
|
|
|
|
| |
JSCH_01a |
|
Johann
Josef Schindler
(St. Pölten 1777 - 1836 Wien)
Three landscape etchings,
all signed in plate 'J(oh) Schindler´.
|
3
Etchings
12x18, 10x15, 9x15 cm
Condition: very good
240 €
|
| Three
small and very elabourate etchings of landscapes (see also JSCH_01b,
JSCH_01c). Prints on velin paper with clear platemark. Schindler
was a student of the Vienna Academy, became a member of the
Academy in 1818
and is known for his landscapes... |
|
|
JAK_01 |
|
Johann Adam Klein
(Nürnberg 1792 - 1875 München)
In der Campagna bei Rom,
signed in plate 'Klein A. 1846´.
|
Etching
13.6 x 21 cm
Condition: very good
130 €
|
| Jahn
352 II. With wide (brownish) margins with some foxing, print
crisp black and white. |
|
|
JAK_02 |
|
Johann Adam
Klein
(1792 - 1875)
Carretiere di Roma,
monogrammed in plate ´JAK f. 1822´.
|
Etching
19.8 x 25.8 cm
Condition: good
n.a. |
| Jahn
257 II. Margins and upper right corner with some foxing. |
|
|
JAK_03 |
|
Johann Adam
Klein
(1792 - 1875)
Römischer Karrenführer...,
signed in plate ´J. A. Klein fec. Roma 1820´.
|
Etching
18 x 21.9 cm
Condition: excellent
350 €
|
| Jahn
248 I. Very good impression. |
|
|
CAL_01 |
|
Carl August
Lebschee
(1800 - 1877)
Hector,
signed in plate ´nach Nat. gemalt und rad.,
CL München 1828´.
|
Etching
12 x 9 cm
Condition: very good
130 €
|
| Verso
handwritten remark (Radirt ...) probably by Lebschee. On top
mounted to thick paper and with other handwritten remark: ´Radirt
1828´. |
|
|
CAL_02 |
|
Carl August
Lebschee
Four small prints on one leaf: Hector, two
cats and little dog in three postions,
Hector signed in plate ´nach Nat. gemalt und rad.,
CL München 1828´.
|
4
Etchings
sheet: 29,5 x 22,5 cm
Condition: good
170 €
|
| In
lower part some foxing. |
|
|
JJV_01 |
|
Jules Jacques
Veyrassat
(1828 - 1893 Paris)
Les buveurs du cidre.
|
Etching
15.5 x 19.5 cm
Condition: very good
90 €
|
| Etching
on wove paper, after own design of Veyrassat, monogrammed in centre
left J.V.A, very picturesque scene. Slight browning in upper
right due to old glue spot on back. |
|
|
AB_01 |
|
Auguste Ballin
(1842 - 1880)
Vieux Ponton sur la Tamise,
signed in plate ´A. Ballin Del. Sculp.´
|
Etching
20 x 33 cm
Condition: fair
90 €
|
| Print
also in FAMSF collection, see Ballin.
Etching
on strong paper with watermark, trimmed close to borderline, two
short (backed) tears and one small section missing around outer
part. Ballin lived for long time in London and painted and
etched numerous impressive maritime motives. |
|
|
Artists from 20th Century
|
|
|
KB_01 |
|
Karl Bauer
(1868 - 1942 München)
Portrait of Ludwig van Beethoven,
signed in pencil ´Karl Bauer rad.´
|
Etching
32 x 23.5 cm
Condition: very good
240 €
|
| Print
on cardboard with wide margins. Karl
Bauer portrayed many famous people in his very special
lively style in the 1920s, his portraits are still widely appreciated. |
|
|
KB_02 |
|
Karl Bauer
(1868 - 1942)
Portrait of Johann Wolfgang von Goethe,
signed in pencil ´Karl Bauer´.
|
Etching
32 x 23.5 cm
Condition: good
210 €
|
| Print
on brownish cardboard with wide margins, these with some tears
on outer part; image and print not affected. |
|
|
MF_02 |
|
Michel Fingesten
(Butschkovitz 1884 - 1943 Italy)
Untitled (Mother and Child),
signed in pencil ´Michl Fingesten´.
|
Drypoint
33.5 x 26 cm
Condition: good
n.a.
|
| Print
on thin paper with wide margins watermark in lower left, some
weak folding marks, probably repairable. Fingesten has received
growing attention over the past years. Besides his large format
prints he is known for his Exlibris (see Deeken
and the Exhibition
of the Regional Council of Friaul-Venetia). Fingesten
was persecuted in Nazi Germany and emigrated to Italy where he
was interned... a couple years later. He died in 1943, short after the liberation
from the prison camps by the Americans, under unknown
circumstances. |
|
|
MF_01 |
|
Michel Fingesten
(Butschkovitz 1884 - 1943 Italy)
Untitled (A female nude and a monk)
signed in pencil
´Probedruck, Michl Fingesten 1923´.
|
Etching
28 x 50 cm
Condition: good
n.a.
|
| Print
on carton with clear platemark, margins with some tears (one
close to image border) and folding lines. |
|
|
KH_01 |
|
Karl Holtz
(Berlin 1899 - 1978 Potsdam)
Untitled (An urban square),
probably in Berlin,
signed in pencil ´Karl Holtz 1921´.
|
Etching
12.5 x 16 cm
Condition: very good
240 €
|
| Print
on machine laid paper, with wide margins. Holtz was one of
the most productive painters and caricaturists of the political
left in the 1920s (see DHM)
and worked for left newspapers, in 1933 banned
from publishing. He deserted from the army in world war 2 , continued
later working in East Germany. |
|
|
LvH_01 |
|
Ludwig von
Hofmann
(Darmstadt 1861 - 1945 Pillnitz)
Untitled (A scene with bathing nudes),
signed in pencil ´Ludw. v. Hofmann´.
(A second print from the same plate
without signature but numbered is also available.)
|
Etching
20.7 x 27.2 cm
Condition: very good
350 €
|
| Hofmann
studied in Karlsruhe, München and München, later went to Paris
and was influenced profoundly by the French art of that time,
which was seen as scandalous by many. He was
appointed as a professor in Weimar in 1903. Showing man and nature
in harmonious unity against the backdrop of arcadian landscapes seems to be his leitmotif.
In retrospect, the visionary character of his works become
clearer, since he preceeded the later movement towards simplicity,
truth and clarity of forms. (For more information see Ludwig-von-Hofmann-Archiv.) |
|
|
EH_01 |
|
Ernst Haymann
(München 1873 - c. 1947)
Untitled (A peasant plowing with two horses),
signed in pencil ´Ernst Haymann´.
|
Etching
29 x 38.7 cm
Condition: good
170 €
|
| Ernst
Haymann studied at the Munich Academy and became well known for
his portraits and landscape motives often showing the hard
labor of rural Bavaria. His works create a strong spatial
perspective and capture the intensity of rural life. Print
on carton with old folding mark in left third, otherwise perfect.
Wide margin only on lower side, otherwise trimmed to image
line. |
|
|
EH_02 |
|
Ernst Haymann
Untitled (A peasant saddlling two horses),
signed in pencil ´Ernst Haymann´,
monogrammed ´EH_M´ in plate.
|
Colour
etching
30 x 39.5 cm
Condition: very good
280 €
|
| Print on strong carton, with wide margins,
a wrinkle? in upper, middle part wrinkle (probably) from printing, original colouring. An
excellent example of Haymanns art. |
|
|
JD_01 |
|
Josef Diveky
(Hungary 1887 - 1951 Sopron)
Untitled (A pastoral scene with loving couples),
signed in pencil ´Diveky 1917´
and monogrammed in plate.
|
Etching
37.5 x 27.5 cm
Condition: very good
230 €
|
| Etching
in brown on strong paper, wide margins almost without faults,
upper margin slightly shortened by a fold. In
the 1920s Diveky worked with the Wiener Werkstätten that were
important in the Art Nouveau (Jugendstil) movement whose artists
and artisans aimed at reintegrating art into daily
life. |
|
|
PS_01 |
|
Pawel Steller
(Hermanice 1895 - 1975)
In Jablunkau,
signed in pencil
´Orig. Holzschnitt In Jablunkau. P. Steller 1938´.
|
Woodcut
35 x 25 cm
Condition: very good
|
| Print
mounted on brownish carton. Steller
portrayed people in his native region Silesia and neighboring
regions in a style combining naive and expressionist elements,
such elaborate works are rarely found as woodcuts. In
Katowice a museum is dedicated to Steller´s work. |
|
|
PS_02 |
|
Pawel Steller
(Hermanice 1895 - 1975)
Ukrainischer Imker,
signed in pencil
signed ´Original Holzschnitt. Ukrainischer Imker.
P. Steller 1937´.
|
Woodcut
28 x 21.5 cm
Condition: excellent
n.a.
|
| Title
in English: Ukrainian bee keeper. Print mounted on carton. The bee keeper
is a typical work for Steller´s finely cut impressive prints. |
|
|
WH_01 |
|
Walter Helbig
(Falkenstein 1878 - 1968 Ascona)
Schmerzensmann 1918,
signed in pencil ´Schmerzensmann 1918,
Walter Helbig´.
|
Woodcut
25 x 19.5 cm
Condition: very good
|
| Print
on Japan paper, with imprint ´ Die Schaffenden´ and
handwritten designation ´gedr. F. Voigt´ (printed
by F. Voigt), numbered ´50´. Wide margins (of which lower one
has some defects) with light brown spots. Image shows Christ
with a crown of thorns. Helbig who had contact to the famous painters of the
Brücke in Berlin in the early 1900s later was a co-founder of
the artist group ´Der Moderne Bund´ in Switzerland. In his
work he represents the early abstract cubist period with the
expressionist style of the ´Brücke´ school. |
|
|
| |
